379_21926_2
Topthema: Die ewige Legende
Harwood Acoustics LS3/5A
Es gibt Lautsprecher und dann gibt es noch die LS3/5A. Sie spaltet sowohl ihre Hörer, als auch die, die sie gar nicht kennen. Warum das so ist? Nun, dafür muss man sich vor allem anschauen und natürlich hören, was sie kann und nicht, was sie nicht kann.
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462_22882_2
Topthema: Feurig
High-End-Standbox mit ESS AMT
Mit diesen Chassis wollte ich schon immer mal etwas bauen. Dass ich sie allerdings jemals zusammen in einer Box haben würde, hätte ich dann doch wieder nicht erwartet – dass das Ganze so gut werden würde, dann schon eher.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: ANT ANTMIX 24FX USB
Ausstattung & technische Daten
| Specification | |
| Type | 24-Kanal Mischpult |
| Mono microphone/line input | 16, 8 with compressor |
| Stereo microphone/line input | 2 |
| Stereo line input | 2 |
| Power supply | 100-240V AC |
| Power absorption | 70W max |
| Dimensions (W x H x D) | 735 x 460 x 85 mm (29” x 18.11” x 33.46”) |
| Weight | 9.7Kg - 21.39 lbs |
| MICROPHONE INPUT | |
| Connector | XLR-F balanced |
| Impedance | 1.8 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | 0~55dB |
| Max input | +15dB (balanced) |
| Low-cut | 75Hz 12dB/oct. |
| Signal-to-noise ratio | <-100 dBr A weighted |
| Phantom powering | +48V |
| LINE INPUT | |
| Connector Balanced | 6,35mm (1/4”) balanced - RCA unbalanced |
| Impedance | 10 kΩ or higher |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | +15dB~-35dB |
| Signal-to-noise ratio | <-100 dBr weighted A |
| COMMON SPECIFICATION | |
| Compressor (only for channels featuring this control) | Gain: 0 ---> 9 dB | Threshold: 20 dB ---- 5 dB |
| Hum & noise | < -80dB (A weighted, full bandwidth, 1 channel and MAIN @ 0dB, other chan- nels @ minimum) |
| Crosstalk | < -80dB (A weighted, full bandwidth, 1 channel and MAIN @ 0dB, other chan- nels @ minimum) |
| EQ | |
| Mono & mono/stereo channels | +/-15 dB @12 kHz +/-15 dB @ 100Hz~8kHz +/-15 dB @ 80Hz |
| Stereo channels | +/-15 dB @ 12kHz +/-15 dB @ 3kHz +/-15 dB @ 500Hz +/-15 dB @ 80Hz |
| 2-TRACK IN | |
| Connector | 2 x RCA unbalanced |
| Impedance | 10 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | OFF~+15dB |
| STEREO RETURNS | |
| Connector | 4 x 6,35mm(1/4”) balanced |
| Impedance | 10 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | OFF~+15dB |
| DSP | |
| A/D - D/A converters | 24 bit |
| Number of effects | 100 |
| Controls | Preset rotative encoder - DFX MUTE footswitch pedal - DFX MUTE switch - 2-digit display |
| Preset rotative encoder - DFX MUTE footswitch pedal - DFX MUTE switch - 2-digit display | |
| MAIN MIX section | |
| MAIN MIX outputs | 2 x XLR e 2 x jack 6,35mm (1/4”) balanced |
| MAIN MIX max level | +22 dBu XLR balanced (+16 dBu unbalanced) |
| MAIN MIX impedance | 120 Ω |
| GR1-2 GR3-4 outputs | jack 6,35mm (1/4”) balanced |
| GR1-2, GR3-4 max levels | +22 dBu 6,35mm (1/4”) balanced (+16 dBu unbalanced) |
| GR1-2 GR3-4 impedance | 120 Ω |
| Prese Headphones 1-2 | 2 x jack 6,35mm (1/4”) stereo unbalanced |
| Headphones impedances | 30 Ω |
| Control room outputs | 2 x jack 6,35mm (1/4”) balanced |
| Control room impedance | 120 Ω |
| 2-TRACK OUT outputs | outputs 2 x RCA unbalanced |
| 2-TRACK impedance | 1 kΩ |
