379_21926_2
Topthema: Die ewige Legende
Harwood Acoustics LS3/5A
Es gibt Lautsprecher und dann gibt es noch die LS3/5A. Sie spaltet sowohl ihre Hörer, als auch die, die sie gar nicht kennen. Warum das so ist? Nun, dafür muss man sich vor allem anschauen und natürlich hören, was sie kann und nicht, was sie nicht kann.
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462_22882_2
Topthema: Feurig
High-End-Standbox mit ESS AMT
Mit diesen Chassis wollte ich schon immer mal etwas bauen. Dass ich sie allerdings jemals zusammen in einer Box haben würde, hätte ich dann doch wieder nicht erwartet – dass das Ganze so gut werden würde, dann schon eher.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: Zoom LiveTrak L‑20
Ausstattung & technische Daten
| Specification | |
| Type | Digital Mixer + Recorder |
| NUMBER OF INPUT AND OUTPUT CHANNELS | |
| Inputs | Mono (MIC/LINE): 16 |
| Stereo (LINE): 2 | |
| Output | MASTER OUT: 1 |
| MONITOR OUT: 6 | |
| PHONES : 1 | |
| Inputs 1-8 | |
| Mono (MIC/LINE) | Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) |
| Input gain | |
| PAD OFF: +16 – +60dB | |
| PAD ON: − 10 – +34 dB | |
| Hi-Z ON: +6 – +50 dB | |
| Input impedance | |
| XLR: 3 k Ω | |
| TRS: 10 k Ω /1 M Ω (when Hi-Z ON) | |
| Maximum input level | |
| PAD OFF: 0 dBu (at 0 dBFS) | |
| PAD ON: +26 dBu (at 0 dBFS) | |
| Phantom power +48 V | |
| Stereo (LINE): | Type: TS phone/RCA pin (unbalanced) jacks |
| Maximum input level : +10 dBu | |
| Outputs | |
| MASTER OUT | Type: XLR jacks (balanced) |
| Maximum output level :+14.5 dBu | |
| Output impedance: 100 Ω | |
| MONITOR OUT A–F (with balanced output) connected to monitor speakers | Type: TRS phone jacks (balanced) |
| Maximum output level: +14.5 dBu | |
| Output impedance: 100 Ω | |
| MONITOR OUT A– F (with unbalanced output) connected to headphones | Type: Standard stereo phone jacks |
| Maximum output level: 42 mW + 42 mW at 60 Ω | |
| Output impedance: 100 Ω | |
| PHONES | Type: Standard stereo phone jacks |
| Maximum output level: 42 mW + 42 mW at 60 Ω | |
| Output impedance: 100 Ω | |
| Buses | |
| MASTER | 1 |
| MONITOR | 6 |
| SEND EFX | 2 |
| CHANNEL STRIP | |
| LOW CUT | 40–600 Hz, 12dB/OCT |
| EQ | HIGH: 10 kHz, ± 15 dB, shelving |
| MID: 100 Hz – 8 kHz, ± 15 dB, peaking | |
| LOW: 100 Hz, ± 15 dB, shelving | |
| Level meters | |
| Level segments | 12 |
| Send effects | |
| Effects | 20 types |
| RECORDER | |
| Maximum simultaneous recording tracks | 22 at 44.1/48/96 kHz |
| Recording format | WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo |
| Recording media | 4 GB – 32 GB SDHC cards (Class 10 or higher) |
| 64 GB – 512 GB SDXC cards (Class 10 or higher) | |
| AUDIO INTERFACE | |
| 44.1/48 kHz | Recording: 22 channels |
| Playback: 4 channels | |
| Bit depth | 24-bit |
| Interface | USB 2.0 |
| System Requirements for Audio Interface mode | |
| Windows | OS： Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit) |
| CPU: Intel® Core i3 or faster | |
| USB: USB 3.0/USB 2.0 | |
| Mac | OS： Mac® OS X 10.11 / 10.12 / 10.13 |
| CPU: Intel® Core i3 or faster | |
| USB: USB 3.0/USB 2.0 | |
| iPhone/iPad | OS： iOS 9 / 10 / 11 |
| Card reader | |
| Class | Class |
| USB HOST | |
| Class | USB 2.0 High Speed |
| General | |
| Sampling frequency | 44.1/48/96 kHz |
| Frequency characteristics | 44.1 kHz: −1.0 dB, 20 Hz – 20 kHz |
| 96 kHz: −3.0 dB, 20 Hz – 40 kHz | |
| Equivalent input noise | Actual measurements: −128dB EIN (IHF-A) at +60dB/150Ω input |
| Display | LCD with backlight (128×64 resolution) |
| Power | AD-19 AC adapter (DC12V 2A) |
| Power consumption | 24 W maximum |
| External dimensions | 445 mm (W) × 388.4 mm (D) × 82.6 mm (H) |
| Weight (main unit only) | 3.71 kg |
