379_21926_2
Topthema: Die ewige Legende
Harwood Acoustics LS3/5A
Es gibt Lautsprecher und dann gibt es noch die LS3/5A. Sie spaltet sowohl ihre Hörer, als auch die, die sie gar nicht kennen. Warum das so ist? Nun, dafür muss man sich vor allem anschauen und natürlich hören, was sie kann und nicht, was sie nicht kann.
>> Mehr erfahren>> Alle anzeigen
465_23072_2
Topthema: Der Geburtstagslautsprecher
Revox Elegance G120 – Limited Edition 75 Years
Revox ist 2003 stolze 75 Jahre alt geworden. Alleine das ist schon Grund zum Feiern. Aber Revox hat auch ein besonderes Angebot für Fans, man kann gewissermaßen Mitglied in einem sehr exklusiven Club werden.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: dbx 376
Ausstattung & technische Daten
| Specifications | |
| Type | Tube Channel Strip w/Digital Out |
| Mic Preamp Connector | Female XLR Pin 2 Hot; Electronically balanced/unbalanced |
| Mic Preamp Input Impedance | 330Ω |
| Mic Preamp max input level | -9 dBu or +11 dBu with 20 dB pad engaged |
| CMRR | >40dB, Typically 55dB |
| Mic Preamp Equivalent Input Noise (EIN) | Typically -120 dBu with a 150Ω source load, 20Hz to 20kHz BW |
| Input Connectors | (instrument/line) 1/4" Jack |
| Input Type | (line) Electronically balanced/unbalanced; (instrument) Unbalanced |
| Max Input | (instrument/line) +21dBu balanced or unbalanced |
| Gain Adjustment Range | (drive control) Line/Instrument: -15dB to +15dB; Mic: +30dB to +60dB |
| Output Connectors | Male XLR Pin 2 Hot and TRS 1/4" |
| Output Type | Servo-balanced/unbalanced |
| Output Impedance | Balanced 120Ω, unbalanced 60Ω |
| Max Output | >+21 dBu, >+20 dBm (into a 600Ω load) |
| Insert Connector | TRS 1/4" Unbalanced |
| Insert Impedance | 100Ω (SEND), 20kΩ (RETURN) |
| Digital Output Connector | XLR for AES/EBU, RCA for S/PDIF |
| Digital Output Impedance | 110Ω for AES/EBU, 75Ω for S/PDIF |
| Word Sync I/O Connectors | BNC |
| Word Sync Input Impedance | 75Ω terminated by internal jumper |
| Word Sync Input | 96, 88.2, 48, or 44.1kHz word clock |
| Word Sync Output | 96, 88.2, 48, or 44.1kHz word clock |
| Output Level | -20dB to +20dB |
| Line Switch | Selects between microphone and line inputs |
| Mic Preamp Phantom Power | +48V |
| Pad Switch | 20dB pad |
| Phase Invert Switch | Reverses pins 2 and 3 of the microphone input XLR |
| Low cut Switch | 75Hz, 12dB/octave high pass filter |
| Frequency Response | (analog) <10Hz to 75kHz |
| THD+Noise | 0.35% typical at +4dBu out, 1kHz, 40 dB gain |
| EQ Low Frequency | 80 Hz, shelving filter |
| EQ High Frequency | 12 kHz, shelving filter |
| EQ Mid Frequency | Sweepable from 100 Hz to 8 kHz, bandwidth 1.5 octaves |
| EQ Gain | (all bands) Sweepable from –15 to +15 dB |
| Compressor Threshold Range | -40 dBu to +20 dBu |
| Compressor Threshold Characteristic | Selectable OverEasy® or Hard Knee |
| Compressor Ratio | Variable; 1:1 to Infinity:1; 60 dB maximum Compression |
| Compressor Attack Time | Program-dependent; Typically 5 |
| Compressor Release Time | Program-dependent; Typically 50 dB/sec (SLOW disabled), 8 dB/sec (SLOW enabled) |
| De-esser Characteristic | Wideband gain reduction |
| De-esser Frequency Range | 800 Hz to 10 kHz High Pass |
| De-esser Release Time | 12 dB/octave program-dependent; approximately 1 ms/dB |
| A/D Conversion System | dbx® Type IV® A/D Conversion System |
| Sample Rate | 96, 88.2, 48, or 44.1kHz selectable |
| Wordlength | 24, 20, or 16 bit selectable |
| Dither Type | TPDF, SNR2, or none |
| Noise Shape | Shape 1, Shape 2, or none |
| Digital Output | S/PDIF or AES/EBU |
| Digital Output Dynamic Range | 107dB typical, A-weighted, 22kHz bandwidth |
| Operating Voltage | DO: 120VAC 60Hz, 100VAC 50/60Hz; EU: 230VAC 50/60Hz |
| Power Consumption | 35W |
