462_22882_2
Topthema: Feurig
High-End-Standbox mit ESS AMT
Mit diesen Chassis wollte ich schon immer mal etwas bauen. Dass ich sie allerdings jemals zusammen in einer Box haben würde, hätte ich dann doch wieder nicht erwartet – dass das Ganze so gut werden würde, dann schon eher.
>> Mehr erfahren>> Alle anzeigen
379_21926_2
Topthema: Die ewige Legende
Harwood Acoustics LS3/5A
Es gibt Lautsprecher und dann gibt es noch die LS3/5A. Sie spaltet sowohl ihre Hörer, als auch die, die sie gar nicht kennen. Warum das so ist? Nun, dafür muss man sich vor allem anschauen und natürlich hören, was sie kann und nicht, was sie nicht kann.
>> Mehr erfahren>> Alle anzeigenKategorie: Profi- / Musiker-Equipment
Ausstattungsliste: ANT ANTMIX 8FX
Ausstattung & technische Daten
| Specification | |
| Type | 8-Channel Mixing Console |
| MONO mic/line inputs | 2 with compressor |
| Mic mono/stereo line inputs | 2 |
| Stereo line input | 1 |
| Dimensions (W x H x D) | 255 x 68 x 342 mm |
| Weight | 1,98 Kg |
| MICROPHONE INPUT | |
| Connector | Balanced XLR |
| Impedance | 1.8 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | 0~55dB |
| Max input | +15dB (balanced) |
| Low-cut | 75Hz 12dB/oct. |
| Signal-to-noise ratio | <-100 dBr A weighted |
| Phantom powering | +48V |
| LINE INPUT | |
| Connector Balanced | 6,35mm (1/4”) - unbalanced RCA |
| Impedance | 10 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | +15dB~-35dB |
| Signal-to-noise ratio | <-100 dBr weighted A |
| COMMON SPECIFICATION | |
| Compressor (only for channels featuring this control) | Gain: 0 ---> 9 dB | Soglia: 20 dB ---> 5 dB |
| Hum & noise | < -80dB (A weighted, full bandwidth, 1 channel and MAIN @ 0dB, other chan- nels @ minimum) |
| Crosstalk | < -80dB (A weighted, full bandwidth, 1 channel and MAIN @ 0dB, other chan- nels @ minimum) |
| EQUALIZATION AND 2-TRACK IN | |
| Mono & mono/stereo channels | +/-15 dB @12 kHz / +/-15 dB @2.5 kHz /+/-15 dB @80 Hz+/-15 dB @12 kHz +/-15 dB @2.5 kHz / +/-15 dB @80 Hz +/-15 dB @12 kHz / +/-15 dB @2.5 kHz+/- 15 dB @80 Hz |
| Stereo channels | +/-15 dB @12 kHz / +/-15 dB @80 Hz+/-15 dB @12 kHz +/-15 dB @80 Hz+/-15 dB @12 kHz / +/-15 dB @80 Hz |
| MICROPHONE INPUT | |
| Connector | 2 x unbalanced RCA |
| Impedance | 10 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | OFF~+15dB |
| STEREO RETURNS | |
| Connector | 2 x balanced 6,35mm (1/4”) |
| Impedance | 10 kΩ |
| Frequency response | 20~20kHz +/-1dB |
| Distortion (THD + N) | <0,03% @ +0dB, 22~22 kHz, A weighted |
| Gain | OFF~+15dB |
| DSP | |
| A/D - D/A converters | 24 bit |
| Number of effects | 16 for 6FX – 100 for 8Fx and 12FX |
| Controls | Presets rotary selector - 16 position (6FX) or 100 position (8FX & 12FX) DFX MUTE footswitch / DFX MUTE switch / DFX button (only 8FX & 12FX) |
| Presets rotary selector - 16 position (6FX) or 100 position (8FX & 12FX) DFX MUTE footswitch / DFX MUTE switch / DFX button (only 8FX & 12FX) | |
| OUTPUTS | |
| MAIN MIX connectors | 2 x TRS 6,35mm (1/4”) connector (XLR in 12FX) |
| MAIN MIX max output level | +22 dBu XLR balanced (+16 dBu unbalanced) |
| MAIN MIX output impedance | 120 Ω |
| GR1-2 in connectors (12FX only) | 2 x TRS balanced 6,35mm (1/4”) |
| GR1-2 max output level (12FX only) | +22 dBu XLR balanced (+16 dBu unbalanced) |
| GR1-2 output impedance (12FX only) | 120 Ω |
| Headphones connector | Unbalanced TRS 6,35mm (1/4”) |
| Headphones impedance | 30 Ω |
| Control room connectors | 2 x balanced TRS 6,35mm (1/4”) |
| Control room impedance | 120 Ω |
| 2-TK connectors | 2 x unbalanced RCA |
| 2-TK impedance | 1 kΩ |
